1 00:00:32,115 --> 00:00:34,451 HEY, PETE. YOU HAVE A GOOD ONE. 2 00:00:34,451 --> 00:00:35,744 UH-HUH. 3 00:00:44,920 --> 00:00:50,467 Patsy Cline: ♪ SWEET DREAMS OF YOU ♪ 4 00:00:50,467 --> 00:00:51,719 SEE YOU TOMORROW, PETE. 5 00:00:52,761 --> 00:00:54,137 WHERE IS EVERYBODY? 6 00:00:54,137 --> 00:00:59,643 ♪ WHY CAN'T I FORGET THE... ♪ 7 00:00:59,643 --> 00:01:01,020 GENE. 8 00:01:04,105 --> 00:01:05,649 OH, MY GOD! 9 00:01:07,150 --> 00:01:09,069 CALL IT IN! SIGNAL 63! 10 00:01:09,069 --> 00:01:10,445 GET SOME HELP NOW! 11 00:01:13,615 --> 00:01:17,536 ♪ THE PAST, START LOVING SOMEONE NEW ♪ 12 00:01:21,289 --> 00:01:27,254 ♪ INSTEAD OF HAVING SWEET DREAMS ♪ 13 00:01:27,254 --> 00:01:37,222 ♪ ABOUT YOU? ♪ 14 00:02:26,563 --> 00:02:28,816 Woman on TV: WHERE HE WAS A PROFESSOR OF LITERATURE. 15 00:02:28,816 --> 00:02:32,235 SO FAR, 5 GUARDS ARE CONFIRMED DEAD 16 00:02:32,235 --> 00:02:33,737 FROM THIS PRISON ESCAPE. 17 00:02:33,737 --> 00:02:35,656 Man: ...FROM PRISON EARLY THIS MORNING. 18 00:02:35,656 --> 00:02:38,867 AS YOU MAY RECALL, CARROLL WAS CONVICTED IN 2004 19 00:02:38,867 --> 00:02:41,536 FOR THE MURDERS OF 14 YOUNG WOMEN 20 00:02:41,536 --> 00:02:42,913 WHO ATTENDED THE UNIVERSITY 21 00:02:42,913 --> 00:02:45,082 WHERE HE WAS A PROFESSOR OF LITERATURE... 22 00:02:45,082 --> 00:02:46,374 HELLO? 23 00:02:46,374 --> 00:02:48,877 HELLO, RYAN. IT'S DIRECTOR FRANKLIN, FBI. 24 00:02:48,877 --> 00:02:50,129 IT'S BEEN A WHILE. 25 00:02:50,129 --> 00:02:52,798 YEAH. WHAT CAN I DO FOR YOU, SIR? 26 00:02:52,798 --> 00:02:56,217 WE NEED YOU IN VIRGINIA, RYAN. 27 00:02:56,217 --> 00:02:57,719 I'M NOT AN AGENT ANYMORE. 28 00:02:57,719 --> 00:03:00,097 I KNOW THINGS DIDN'T END WELL WITH THE BUREAU, 29 00:03:00,097 --> 00:03:01,306 BUT YOU CAUGHT CARROLL. 30 00:03:01,306 --> 00:03:03,308 NO ONE KNOWS HIM LIKE YOU DO. 31 00:03:03,308 --> 00:03:05,602 I'VE GOT GOOD AGENTS ON IT. 32 00:03:05,602 --> 00:03:08,480 GO CONSULT, EDUCATE THEM. 33 00:03:08,480 --> 00:03:10,565 WE HAVE TO FIND HIM FAST. 34 00:03:10,565 --> 00:03:13,360 Man on TV: SO FAR, 5 GUARDS ARE CONFIRMED DEAD 35 00:03:13,360 --> 00:03:14,820 FROM THE PRISON ESCAPE. 36 00:03:14,820 --> 00:03:17,364 JOE CARROLL IS STILL AT LARGE. 37 00:03:17,364 --> 00:03:18,949 Franklin: WILL YOU DO IT, RYAN? 38 00:03:50,355 --> 00:03:51,606 SARAH FULLER? 39 00:03:53,400 --> 00:03:55,736 DETECTIVE WARREN, NORFOLK PD. 40 00:03:55,736 --> 00:03:57,946 WE'RE HERE ON BEHALF OF THE U.S. MARSHALS OFFICE. 41 00:03:57,946 --> 00:04:00,157 OK. 42 00:04:00,157 --> 00:04:01,825 WHAT'S GOING ON? 43 00:04:01,825 --> 00:04:05,037 JOE CARROLL-- HE ESCAPED FROM PRISON EARLIER THIS MORNING. 44 00:04:06,788 --> 00:04:08,957 I'M SORRY. HE WHAT? 45 00:04:11,668 --> 00:04:13,879 Woman: AND WHERE WAS THE KNIFE AT THIS POINT, 46 00:04:13,879 --> 00:04:17,257 THE KNIFE THAT WAS USED TO STAB YOU REPEATEDLY? 47 00:04:20,010 --> 00:04:22,971 IT WAS STILL INSIDE ME. 48 00:04:22,971 --> 00:04:24,389 I REACHED DOWN TO PULL IT OUT, 49 00:04:24,389 --> 00:04:25,891 BUT I WAS TOO WEAK. 50 00:04:25,891 --> 00:04:28,685 SO WHAT DID YOU DO? 51 00:04:28,685 --> 00:04:31,438 I PUSHED IT INSTEAD 52 00:04:31,438 --> 00:04:33,690 DEEPER INTO MY STOMACH AND TO THE RIGHT. 53 00:04:33,690 --> 00:04:35,400 AND WHY WOULD YOU DO THAT? 54 00:04:39,905 --> 00:04:42,866 TO PUNCTURE THE SPLENIC ARTERY, 55 00:04:42,866 --> 00:04:45,994 TO BLEED OUT FASTER. 56 00:04:45,994 --> 00:04:47,996 I JUST WANTED IT TO BE OVER. 57 00:04:50,791 --> 00:04:52,292 Warren: I HAVE MEN IN PLACE BOTH INSIDE AND OUT. 58 00:04:52,292 --> 00:04:54,044 STRICTLY PRECAUTIONARY. 59 00:04:54,044 --> 00:04:55,294 GONNA KEEP YOU SAFE, MISS FULLER. 60 00:04:55,294 --> 00:04:56,379 Man: WHOA! CAN'T LET YOU IN! 61 00:04:56,379 --> 00:04:57,422 I'M HER NEIGHBOR WILL WILSON. 62 00:04:57,422 --> 00:05:00,008 WILL! HE--HE'S OK. 63 00:05:00,008 --> 00:05:02,136 SARAH! HEY. 64 00:05:02,136 --> 00:05:05,305 I SAW THE NEWS. IT'S ALL OVER TV. 65 00:05:05,305 --> 00:05:07,099 LOOK. BILLY'S ON HIS WAY HOME, ALL RIGHT? 66 00:05:07,099 --> 00:05:09,434 WE'RE HERE FOR YOU, WHATEVER YOU NEED. 67 00:05:09,434 --> 00:05:11,311 I'M SO GLAD YOU'RE HERE. 68 00:05:11,311 --> 00:05:12,854 COME HERE. 69 00:05:32,166 --> 00:05:35,585 RYAN HARDING, AGENT TROY RILEY, BAU2. 70 00:05:35,585 --> 00:05:37,087 THIS IS AGENT JENNIFER MASON. 71 00:05:37,087 --> 00:05:38,505 THANK YOU FOR COMING. 72 00:05:38,505 --> 00:05:39,923 I'M NOT SURE WHAT FRANKLIN TOLD YOU, 73 00:05:39,923 --> 00:05:41,382 BUT THE MARSHALS ARE HEADING THE GROUND SEARCH, 74 00:05:41,382 --> 00:05:42,676 AND WE'RE RUNNING POINT FOR THE BUREAU. 75 00:05:42,676 --> 00:05:44,427 WE GOT A COMMAND CENTER SET UP IN TOWN. 76 00:05:44,427 --> 00:05:46,305 NOW YOUR BEING HERE MAY RAISE SOME EYEBROWS. 77 00:05:46,305 --> 00:05:47,681 THAT BOOK YOU WROTE. 78 00:05:47,681 --> 00:05:49,308 NOT TO MENTION MY REPUTATION. 79 00:05:49,308 --> 00:05:51,185 JUST KEEP YOUR HEAD DOWN, WE'LL DO THE TALKING. 80 00:05:51,185 --> 00:05:53,603 IF ANYONE ASKS, YOU'RE HERE STRICTLY AS A CONSULTANT. 81 00:05:53,603 --> 00:05:54,688 ANY QUESTIONS? 82 00:05:54,688 --> 00:05:57,524 YEAH? HOW'S SARAH FULLER? 83 00:05:57,524 --> 00:05:58,859 CARROLL'S LAST VICTIM. 84 00:05:58,859 --> 00:06:00,861 SHE'S A DOCTOR NOW IN NORFOLK. SHE SAV-- 85 00:06:00,861 --> 00:06:02,570 YES. SHE'S UNDER 24/7 WATCH. 86 00:06:02,570 --> 00:06:03,738 I'D LIKE TO SPEAK TO HER. 87 00:06:03,738 --> 00:06:05,199 ABOUT WHAT? 88 00:06:05,199 --> 00:06:07,701 I'D LIKE TO KNOW HOW SHE'S DOING. 89 00:06:07,701 --> 00:06:09,077 PERHAPS LATER WHEN WE'RE NOT TRYING 90 00:06:09,077 --> 00:06:11,412 TO FIND A SERIAL KILLER. 91 00:06:11,412 --> 00:06:15,250 HE KILLS ALL OF THEM IN UNDER TWO MINUTES, 92 00:06:15,250 --> 00:06:16,710 AND THERE HE GOES. 93 00:06:26,220 --> 00:06:29,139 RYAN HARDY, THIS IS DEPUTY MARSHAL SCOTT TURNER. 94 00:06:29,139 --> 00:06:30,182 I KNOW RYAN. 95 00:06:30,182 --> 00:06:31,432 I WAS WITH THE SHERIFF'S OFFICE 96 00:06:31,432 --> 00:06:33,352 WHEN HE BROUGHT CARROLL IN. 97 00:06:33,352 --> 00:06:34,853 SCOTT. 98 00:06:34,853 --> 00:06:37,689 Riley: DIRECTOR FRANKLIN ASKED MR. HARDY TO CONSULT. 99 00:06:37,689 --> 00:06:40,108 THEN HE'S YOUR PROBLEM, AGENT. 100 00:06:46,365 --> 00:06:48,075 HE LEFT IT LIKE THIS. 101 00:06:50,327 --> 00:06:52,829 FORENSICS SWEPT. NOTHING. 102 00:06:52,829 --> 00:06:54,831 HE'S SCHEDULED TO BE EXECUTED NEXT MONTH. 103 00:06:54,831 --> 00:06:58,168 THE 12th. 104 00:06:58,168 --> 00:07:00,045 STILL A ROMANTIC. 105 00:07:09,137 --> 00:07:10,347 WHO LET HIM HAVE THIS? 106 00:07:10,347 --> 00:07:11,723 ANYONE COULD HAVE. 107 00:07:14,642 --> 00:07:16,603 "DEAR RYAN, I ENJOYED YOUR BOOK. 108 00:07:16,603 --> 00:07:18,230 "HAVE YOU EVER CONSIDERED A SEQUEL? 109 00:07:18,230 --> 00:07:20,315 BEST, JOE." 110 00:07:20,315 --> 00:07:21,524 YOU NEVER MENTIONED A NOTE. 111 00:07:21,524 --> 00:07:23,277 ANY IDEA WHY HE LEFT THAT FOR YOU? 112 00:07:23,277 --> 00:07:25,904 HE ENJOYED MY BOOK. HE SAID SO. 113 00:07:25,904 --> 00:07:27,822 I THINK HE'S LETTING US KNOW THAT HE PLANS TO KILL AGAIN. 114 00:07:27,822 --> 00:07:29,699 YEAH. THAT'S PROBABLY IT. 115 00:07:29,699 --> 00:07:31,952 LOOK. I READ YOUR FILE. I KNOW YOU DON'T PLAY WELL WITH OTHERS. 116 00:07:31,952 --> 00:07:33,453 YOU READ MY FILE? YES, I DID! 117 00:07:33,453 --> 00:07:36,539 SO YOU KNOW ME, IS THAT WHAT IT IS? 118 00:07:36,539 --> 00:07:39,000 FORGET IT. 119 00:07:39,000 --> 00:07:41,502 CLAIRE MATTHEWS, CARROLL'S EX-WIFE. 120 00:07:41,502 --> 00:07:43,838 HAS ANYONE BEEN IN TOUCH WITH HER? 121 00:07:43,838 --> 00:07:46,007 SHE'S BEING QUESTIONED. 122 00:07:46,007 --> 00:07:48,885 WE HAVE HER UNDER PROTECTION, AS WELL. 123 00:08:03,233 --> 00:08:05,110 SORRY FOR THE INTRUSION, MISS MATTHEWS. 124 00:08:05,110 --> 00:08:07,154 I HAVE A FEW QUESTIONS. 125 00:08:07,154 --> 00:08:09,572 WHEN WAS THE LAST TIME YOUR HUSBAND CONTACTED YOU? 126 00:08:09,572 --> 00:08:13,160 EX-HUSBAND, AND I DON'T MEAN TO BE RUDE, DETECTIVE, 127 00:08:13,160 --> 00:08:15,536 BUT I'M GONNA WAIT FOR THE FBI TO ARRIVE, 128 00:08:15,536 --> 00:08:17,872 AND I NEED TO SPEAK TO RYAN HARDY. 129 00:08:20,459 --> 00:08:21,876 THANK YOU. 130 00:08:34,889 --> 00:08:35,974 OHH! 131 00:08:35,974 --> 00:08:37,516 HA HA HA! HA HA HA! 132 00:08:37,516 --> 00:08:40,103 SO HOW'D IT GO? 133 00:08:40,103 --> 00:08:42,063 IT'S OFFICIAL. I'M PREGNANT. 134 00:08:42,063 --> 00:08:43,564 HA HA HA! 135 00:08:46,151 --> 00:08:48,778 Boy: MOM! MOM! 136 00:08:48,778 --> 00:08:49,904 YEAH. YEAH, HONEY. 137 00:08:49,904 --> 00:08:51,990 WHAT'S GOING ON? 138 00:08:51,990 --> 00:08:54,284 WHY CAN'T I WATCH TV? 139 00:08:54,284 --> 00:08:56,661 I DIDN'T KNOW WHAT TO SAY. 140 00:08:56,661 --> 00:08:57,996 UM... 141 00:08:57,996 --> 00:09:01,041 IT'S DAD, ISN'T IT? 142 00:09:01,041 --> 00:09:02,334 OH, HONEY. 143 00:09:12,093 --> 00:09:14,429 Woman: I NEED TO SPEAK TO SOMEONE ABOUT JOE CARROLL. 144 00:09:14,429 --> 00:09:17,349 FILL THIS OUT, TAKE A SEAT WITH THE OTHERS. 145 00:09:21,769 --> 00:09:23,522 HE THEN STUDIED IN THE STATES, 146 00:09:23,522 --> 00:09:25,190 WHERE HE MARRIED AND BECAME A PROFESSOR OF LITERATURE 147 00:09:25,190 --> 00:09:26,525 AT WINSLOW UNIVERSITY. 148 00:09:26,525 --> 00:09:27,775 ALSO, BUDDING NOVELIST. 149 00:09:27,775 --> 00:09:30,237 IN 2003, CARROLL'S FIRST AND ONLY NOVEL 150 00:09:30,237 --> 00:09:31,446 "THE GOTHIC SEA" WAS PUBLISHED. 151 00:09:31,446 --> 00:09:33,448 IT WOULD GO ON TO BECOME A BEST-SELLER, 152 00:09:33,448 --> 00:09:34,657 BUT IN ITS INITIAL PRINTING, 153 00:09:34,657 --> 00:09:37,827 IT WAS A COMMERCIAL AND CRITICAL FLOP. 154 00:09:37,827 --> 00:09:39,579 THIS TRIGGERED HIS PIQUERISM, 155 00:09:39,579 --> 00:09:42,249 THE ACT OF STABBING, SLICING FLESH FOR AROUSAL. 156 00:09:42,249 --> 00:09:44,584 Ryan: THAT'S NOT ACCURATE. 157 00:09:44,584 --> 00:09:46,794 I'M SORRY. WOULD YOU LIKE TO SAY SOMETHING, SIR? 158 00:09:49,423 --> 00:09:50,631 BY ALL MEANS, IF I'VE GOT IT WRONG, 159 00:09:50,631 --> 00:09:53,218 PLEASE CORRECT ME. 160 00:09:53,218 --> 00:09:54,593 RYAN HARDY. 161 00:09:59,974 --> 00:10:02,936 JOE CARROLL WAS OBSESSED WITH THE ROMANTIC PERIOD. 162 00:10:02,936 --> 00:10:07,482 HIS LECTURES CONSISTED OF THOREAU, EMERSON, 163 00:10:07,482 --> 00:10:09,943 IN PARTICULAR HIS HERO EDGAR ALLEN POE, 164 00:10:09,943 --> 00:10:11,361 AND LIKE POE, HE BELIEVED 165 00:10:11,361 --> 00:10:12,904 IN THE INSANITY OF ART, 166 00:10:12,904 --> 00:10:16,616 THAT IT HAD TO BE...FELT. 167 00:10:16,616 --> 00:10:19,827 HE DIDN'T JUST EVISCERATE 14 FEMALE STUDENTS. 168 00:10:21,788 --> 00:10:23,457 HE WAS MAKING ART. 169 00:10:23,457 --> 00:10:25,333 HE CUT OUT HIS VICTIMS' EYES AS A NOD 170 00:10:25,333 --> 00:10:27,627 TO HIS FAVORITE WORKS OF POE, "THE TELL-TALE HEART" 171 00:10:27,627 --> 00:10:29,421 AND "THE BLACK CAT." 172 00:10:29,421 --> 00:10:33,091 SEE, POE BELIEVED THE EYES ARE OUR IDENTITY, 173 00:10:33,091 --> 00:10:35,135 WINDOWS TO OUR SOUL. 174 00:10:35,135 --> 00:10:36,344 TO CLASSIFY HIM AS A PIQUERIST 175 00:10:36,344 --> 00:10:40,307 WOULD BE...TOO SIMPLISTIC. 176 00:10:44,769 --> 00:10:46,854 OK, GUYS. THANKS. 177 00:10:51,401 --> 00:10:52,902 MIKE WESTON. 178 00:10:52,902 --> 00:10:54,321 IT'S A REAL HONOR, SIR. 179 00:10:54,321 --> 00:10:56,406 DID MY THESIS ON JOE CARROLL AT THE ACADEMY. 180 00:10:56,406 --> 00:10:58,950 YOUR BOOK WAS-- IT WAS INVALUABLE. 181 00:10:58,950 --> 00:11:00,076 IT'S A REAL THRILL FOR ME, SIR. 182 00:11:00,076 --> 00:11:01,244 Mason: HARDY. 183 00:11:04,122 --> 00:11:06,874 WOW! THAT WAS PATHETIC. 184 00:11:06,874 --> 00:11:07,959 MAN IS A HERO. 185 00:11:07,959 --> 00:11:09,169 TOOK DOWN CARROLL SINGLE-HANDED. 186 00:11:09,169 --> 00:11:11,004 AND THE BUREAU STILL LET HIM GO. 187 00:11:11,004 --> 00:11:12,547 YOU HAVEN'T READ HIS BOOK, HAVE YOU? 188 00:11:12,547 --> 00:11:13,881 HE'S ON DISABILITY. 189 00:11:13,881 --> 00:11:15,592 TURNER SAID HE LOST IT, WENT CRAZY. 190 00:11:15,592 --> 00:11:17,344 NO. CARROLL STABBED HIM IN THE CHEST, 191 00:11:17,344 --> 00:11:18,512 PUNCTURED HIS LEFT VENTRICULAR. 192 00:11:18,512 --> 00:11:19,971 HE CAN'T BE IN THE FIELD ANYMORE. 193 00:11:19,971 --> 00:11:22,223 HE'S GOT A PACEMAKER KEEPING IT ALL PUMPING. 194 00:11:27,812 --> 00:11:29,856 WHO ARE THE WOMEN? 195 00:11:29,856 --> 00:11:31,483 CARROLL'S GROUPIES. 196 00:11:31,483 --> 00:11:34,068 WE'RE INTERVIEWING ANYONE WHO VISITED CARROLL IN PRISON. 197 00:11:34,068 --> 00:11:35,778 Weston: CARROLL HAD 112 VISITORS IN THE LAST TWO YEARS, 198 00:11:35,778 --> 00:11:37,696 43 IN THE LAST 6 MONTHS. 199 00:11:37,696 --> 00:11:39,782 14 VISITED OVER 4 TIMES. 200 00:11:39,782 --> 00:11:41,368 WHO HAD THE MOST ACCESS TO HIM? 201 00:11:41,368 --> 00:11:42,536 WAS HE CONFINED TO HIS CELL, 202 00:11:42,536 --> 00:11:44,204 DID HE HAVE ANY PRIVILEGES? 203 00:11:44,204 --> 00:11:45,997 MOST OF HIS TIME WAS SPENT PREPARING FOR HIS THIRD APPEAL. 204 00:11:45,997 --> 00:11:48,500 Riley: HE'D FOREGONE LEGAL AID AND WAS REPRESENTING HIMSELF. 205 00:11:48,500 --> 00:11:49,626 HIS RECORDS. 206 00:11:49,626 --> 00:11:51,461 SO HE HAD ACCESS TO A LEGAL LIBRARY? 207 00:11:51,461 --> 00:11:53,213 YEAH. EVERY TUESDAY, CARROLL WAS SHACKLED AND TRANSPORTED 208 00:11:53,213 --> 00:11:54,713 TO THE SUSSEX COUNTY LAW LIBRARY, 209 00:11:54,713 --> 00:11:56,883 WHERE HE WAS CONFINED TO A SEALED ROOM, ONE GUARD. 210 00:11:56,883 --> 00:11:58,051 AND FURNISHED WITH LAW BOOKS. 211 00:11:58,051 --> 00:11:59,886 ACTUAL BOOKS OR DIGITAL FILES? 212 00:11:59,886 --> 00:12:01,388 Weston: DIGITAL. EVERYTHING'S ARCHIVED 213 00:12:01,388 --> 00:12:03,264 ON THE LIBRARY'S SERVER. 214 00:12:03,264 --> 00:12:04,599 SO HE HAD INTERNET ACCESS. 215 00:12:04,599 --> 00:12:05,892 IT WOULD HAVE BEEN RESTRICTED. 216 00:12:05,892 --> 00:12:07,977 BECAUSE THAT WOULD STOP JOE CARROLL? 217 00:12:09,646 --> 00:12:11,147 DAMN IT! WE NEED TO RIP APART THE LIBRARY'S ETHERNET! 218 00:12:11,147 --> 00:12:12,399 GET THE CYBER TECHS IN HERE. 219 00:12:41,886 --> 00:12:43,137 Man: WEAPON! SHE'S GOT A WEAPON! 220 00:12:44,805 --> 00:12:46,349 STAND BACK! 221 00:12:46,349 --> 00:12:48,184 Riley: TAKE IT EASY, MA'AM, EASY, EASY, EASY, EASY. 222 00:12:48,184 --> 00:12:49,185 EASY, EASY. 223 00:12:49,185 --> 00:12:50,478 DROP THE WEAPON! 224 00:12:50,478 --> 00:12:53,398 DROP THE WEAPON! DROP IT! 225 00:12:53,398 --> 00:12:54,773 MA'AM, MA'AM, LOOK AT ME, LOOK AT ME, 226 00:12:54,773 --> 00:12:56,109 LOOK AT ME. 227 00:12:56,109 --> 00:12:59,237 YOU DON'T WANT TO DO THIS, OK? 228 00:12:59,237 --> 00:13:03,408 JUST...JUST HAND THAT THING TO ME, 229 00:13:03,408 --> 00:13:05,285 AND EVERYTHING'S GONNA BE OK. 230 00:13:05,285 --> 00:13:07,662 LORD, HELP MY POOR SOUL. 231 00:13:07,662 --> 00:13:08,622 NO. 232 00:13:08,622 --> 00:13:11,332 LORD...HELP MY POOR SOUL. 233 00:13:11,332 --> 00:13:13,042 NO, NO. 234 00:13:23,010 --> 00:13:24,429 SHE'S RIGHT-HANDED. 235 00:13:24,429 --> 00:13:26,431 SHE DID MOST OF THE UPPER LEFT REGION HERSELF, 236 00:13:26,431 --> 00:13:29,100 BUT THIS IS SOMEONE ELSE. 237 00:13:29,100 --> 00:13:30,893 CARROLL POSSIBLY. 238 00:13:30,893 --> 00:13:33,229 WE'RE RUNNING ANALYSIS FOR A MATCH. 239 00:13:33,229 --> 00:13:34,731 THANK YOU. 240 00:13:37,358 --> 00:13:39,486 "ONCE UPON A MIDNIGHT DREARY." 241 00:13:39,486 --> 00:13:40,819 "THE RAVEN." 242 00:13:49,036 --> 00:13:51,414 "THIS FEVER CALLED LIVING IS CONQUERED AT LAST." 243 00:13:51,414 --> 00:13:52,707 IT'S ALL POE. 244 00:13:52,707 --> 00:13:53,750 AND WHAT SHE SAID AT THE END-- 245 00:13:53,750 --> 00:13:55,251 YEAH. POE'S LAST WORDS. 246 00:13:55,251 --> 00:13:56,961 WHEN FOUND DELIRIOUS ON THE STREETS OF BALTIMORE, 247 00:13:56,961 --> 00:14:00,089 HE'S BELIEVED TO HAVE UTTERED, "LORD, HELP MY POOR SOUL." 248 00:14:03,343 --> 00:14:05,011 IS THAT WATER, SIR? 249 00:14:05,011 --> 00:14:07,263 YES. 250 00:14:07,263 --> 00:14:09,265 MINT? 251 00:14:09,265 --> 00:14:10,725 SURE. 252 00:14:13,353 --> 00:14:14,853 WE'VE RUN HER PRINTS. 253 00:14:14,853 --> 00:14:16,773 SO FAR, WE'VE FOUND 7 IDENTITIES. 254 00:14:16,773 --> 00:14:18,525 4 OF THEM ARE WANTED IN 3 STATES, 255 00:14:18,525 --> 00:14:20,652 AND 2 OF THEM VISITED CARROLL REPEATEDLY IN THE LAST 6 MONTHS. 256 00:14:20,652 --> 00:14:21,861 ANYTHING ON THE CELL PHONE? 257 00:14:21,861 --> 00:14:22,987 DISPOSABLE. 258 00:14:22,987 --> 00:14:24,739 THE TEXT SAID, "DO IT NOW." 259 00:14:24,739 --> 00:14:25,906 CARROLL COULD EASILY CONVINCE 260 00:14:25,906 --> 00:14:27,158 AN UNBALANCED BRAIN TO DO THIS. 261 00:14:27,158 --> 00:14:29,160 IT'S AN EXERTION OF POWER, THEATRICS. 262 00:14:32,163 --> 00:14:36,376 I HAVE SARAH FULLER FOR YOU. 263 00:14:36,376 --> 00:14:38,002 HELLO? 264 00:14:38,002 --> 00:14:42,507 MR. HARDY, IT'S BEEN A LONG TIME. 265 00:14:42,507 --> 00:14:46,135 SARAH, HI. HOW YOU DOING? 266 00:14:46,135 --> 00:14:48,012 WELL, NOT GREAT. 267 00:14:50,348 --> 00:14:52,975 LISTEN. WE'RE GONNA FIND HIM. 268 00:14:52,975 --> 00:14:59,023 NOTHING IS GONNA HAPPEN TO YOU, I PROMISE YOU THAT. 269 00:14:59,023 --> 00:15:01,234 I REALLY APPRECIATE YOU CALLING. 270 00:15:01,234 --> 00:15:08,742 I'M JUST, UM, HAPPY TO HEAR YOU'RE SAFE. 271 00:15:08,742 --> 00:15:10,243 BYE-BYE NOW. 272 00:15:10,243 --> 00:15:11,870 GOOD-BYE, MR. HARDY. 273 00:15:23,423 --> 00:15:25,550 THANK YOU. 274 00:15:25,550 --> 00:15:27,051 THEY QUESTIONED CLAIRE MATTHEWS. 275 00:15:27,051 --> 00:15:30,221 SHE WON'T SPEAK TO ANYONE BUT YOU. WHY IS THAT? 276 00:15:30,221 --> 00:15:32,265 WHEN I SPEAK TO HER, I'LL ASK HER. 277 00:15:35,476 --> 00:15:37,019 THANKS. 278 00:15:37,019 --> 00:15:38,813 I REALLY DON'T THINK YOU GOT ENOUGH FOOD, BABE. 279 00:15:38,813 --> 00:15:40,939 DO WE REALLY HAVE TO FEED THE COPS? 280 00:15:40,939 --> 00:15:42,525 I MEAN, CAN'T THEY JUST ORDER PIZZA? 281 00:15:42,525 --> 00:15:44,861 THERE'S PLENTY OF FOOD. 282 00:15:44,861 --> 00:15:46,487 THANK YOU, BILLY. 283 00:15:48,072 --> 00:15:49,365 SO HOW'S SHE DOING? 284 00:15:49,365 --> 00:15:52,368 Sarah: SHE'S RIGHT HERE. SHE'S FINE. 285 00:15:52,368 --> 00:15:54,454 WELL, THEN WHY ARE WE IGNORING THAT HOT COP CANDY 286 00:15:54,454 --> 00:15:56,497 IN THE CORNER OVER THERE? 287 00:15:56,497 --> 00:15:57,832 IS HE SINGLE OR WHAT? 288 00:15:57,832 --> 00:16:00,293 William: HE'S NOT WEARING A RING. I CHECKED. 289 00:16:00,293 --> 00:16:01,419 Man on TV: ...BELOVED BY HIS STUDENTS, 290 00:16:01,419 --> 00:16:03,838 AND WITH HIS CHARM AND GOOD LOOKS, 291 00:16:03,838 --> 00:16:06,299 HE WAS UNDERSTANDABLY A FAVORITE 292 00:16:06,299 --> 00:16:08,635 AMONGST THE FEMALE CONTINGENT. 293 00:16:08,635 --> 00:16:13,222 SO POE'S CHIEF PRINCIPLE, INSANITY AS ART. 294 00:16:13,222 --> 00:16:14,766 THIS IS THE ROMANTIC PERIOD. 295 00:16:14,766 --> 00:16:19,270 DEATH IS ABOUT THEME, MOOD, MOTIF, EMOTIONAL AESTHETIC. 296 00:16:19,270 --> 00:16:21,481 POE EQUATES DEATH WITH WHAT? 297 00:16:21,481 --> 00:16:23,274 Man: HE EQUATES DEATH WITH LOVE? 298 00:16:23,274 --> 00:16:26,235 NO, NOT LOVE. POE EQUATES DEATH WITH... 299 00:16:26,235 --> 00:16:30,364 Sarah: BEAUTY. POE BELIEVED THAT ART WAS ABOUT BEAUTY 300 00:16:30,364 --> 00:16:32,074 AND THAT NOTHING WAS MORE BEAUTIFUL 301 00:16:32,074 --> 00:16:34,034 THAN THE DEATH OF A BEAUTIFUL WOMAN-- 302 00:16:34,034 --> 00:16:36,996 "HELEN," "LENORE," "ANNABEL LEE." 303 00:16:36,996 --> 00:16:39,916 AND TO BEREAVE BEAUTY IS... 304 00:16:39,916 --> 00:16:42,710 TO ELEVATE ONE'S SOUL. 305 00:16:47,799 --> 00:16:49,759 Weston: CARROLL NEVER VISITED SAME WEB ADDRESS TWICE, 306 00:16:49,759 --> 00:16:51,385 WHICH SUGGESTS HE'S USING VARIOUS URLs. 307 00:16:51,385 --> 00:16:53,262 WHO WITH? 308 00:16:53,262 --> 00:16:55,139 WELL, THERE'S THE RUB. EVERY TIME I ACCESS AN IP ADDRESS, IT MUTATES. 309 00:16:55,139 --> 00:16:56,933 THIS IS A FAIRLY SOPHISTICATED VIRUS. 310 00:16:56,933 --> 00:16:58,810 WHERE WERE THE GUARDS WHEN HE WAS SITTING THERE CHATTING ONLINE? 311 00:16:58,810 --> 00:17:00,353 WHO ARE THESE IDIOTS? 312 00:17:00,353 --> 00:17:03,230 THE DETAIL CHANGED, BUT THERE'S ONE RECURRING NAME. 313 00:17:03,230 --> 00:17:04,273 JORDAN RAINES. 314 00:17:04,273 --> 00:17:06,693 JORDAN "JORDY" RAINES. I GOT IT. 315 00:17:06,693 --> 00:17:09,362 32, 4-YEAR EMPLOYEE, DEATH ROW, 316 00:17:09,362 --> 00:17:10,655 WORKS THE NIGHT SHIFT. 317 00:17:10,655 --> 00:17:12,031 WAS HE WORKING LAST NIGHT? 318 00:17:12,031 --> 00:17:13,282 UH... 319 00:17:13,282 --> 00:17:14,659 CALLED IN SICK. 320 00:17:14,659 --> 00:17:15,827 THAT'S HIM. PRISON GUARD. 321 00:17:15,827 --> 00:17:16,953 HE HELPED CARROLL ESCAPE. 322 00:17:16,953 --> 00:17:18,037 GET HIS HOME ADDRESS. 323 00:17:18,037 --> 00:17:19,288 YEAH. I GOT IT. 324 00:17:34,136 --> 00:17:36,848 FEDERAL AGENTS. OPEN UP! 325 00:17:36,848 --> 00:17:38,098 HIT IT. 326 00:17:40,434 --> 00:17:42,228 CLEAR THE ROOM! 327 00:17:42,228 --> 00:17:43,479 ROOM CLEAR! 328 00:17:43,479 --> 00:17:44,814 ALL CLEAR! 329 00:17:44,814 --> 00:17:46,482 HE'S NOT HERE. 330 00:17:56,951 --> 00:17:59,913 Raines on computer: HI. HI. HI. 331 00:17:59,913 --> 00:18:01,039 SAY HI TO THE CAMERA. 332 00:18:01,039 --> 00:18:02,122 GUYS. 333 00:18:02,122 --> 00:18:04,876 SAY HI. SAY HI. 334 00:18:04,876 --> 00:18:06,711 CAN YOU SAY HI TO YOUR FRIENDS? 335 00:18:06,711 --> 00:18:07,879 YEAH. SAY HI. 336 00:18:07,879 --> 00:18:09,463 [AS DOG] HI. 337 00:18:09,463 --> 00:18:10,924 YOUR FRIENDS ARE OUT THERE. 338 00:18:10,924 --> 00:18:12,091 THAT'S RIGHT, BUDDY. 339 00:18:12,091 --> 00:18:14,218 OH, SWEET PUP. 340 00:18:14,218 --> 00:18:15,929 YOU'RE GONNA WANT TO SEE THIS. 341 00:18:15,929 --> 00:18:17,179 CAN YOU SMELL THEM? 342 00:18:19,432 --> 00:18:21,475 OHH! 343 00:18:31,027 --> 00:18:35,573 BAGS. MAN. 344 00:18:37,241 --> 00:18:39,702 Weston: WHAT IS THAT? 345 00:18:39,702 --> 00:18:42,080 IT'S A GERMAN SHEPHERD, I THINK. 346 00:18:49,921 --> 00:18:52,799 CARROLL WAS TEACHING HIM HOW TO BECOME A SERIAL KILLER. 347 00:18:58,345 --> 00:19:00,222 I CAN HANDLE DEAD PEOPLE. 348 00:19:00,222 --> 00:19:03,559 YOU KILL A DOG, I GO CRAZY. 349 00:19:03,559 --> 00:19:07,396 I GOT THIS LITTLE TERRIER MIX. 350 00:19:07,396 --> 00:19:08,689 FORGET IT. 351 00:19:11,275 --> 00:19:12,276 WHAT IS THAT? 352 00:19:12,276 --> 00:19:13,444 IT'S JOE CARROLL'S NOVEL. 353 00:19:13,444 --> 00:19:15,154 OH, LOOK. IT'S INSCRIBED. 354 00:19:15,154 --> 00:19:17,031 "JORDY, YOU'RE CAPABLE OF GREATNESS. 355 00:19:17,031 --> 00:19:19,241 YOU JUST HAVE TO BELIEVE. JOE." 356 00:19:19,241 --> 00:19:20,952 SO THIS JORDY GUY, IS LONELY, 357 00:19:20,952 --> 00:19:23,121 HE'S UNSTABLE, VULNERABLE TO KINDNESS. 358 00:19:23,121 --> 00:19:26,124 CARROLL RECOGNIZES HIS POTENTIAL AND SEDUCES HIM. 359 00:19:26,124 --> 00:19:28,835 HE'S EMULATING CARROLL. THE ANIMALS, 360 00:19:28,835 --> 00:19:30,503 HE REMOVED THEIR EYES. 361 00:19:30,503 --> 00:19:31,838 WELL, JORDY LOOKS TO CARROLL THE WAY CARROLL LOOKS TO POE. 362 00:19:31,838 --> 00:19:33,089 IT'S A GODLIKE KIND OF WORSHIP. 363 00:19:33,089 --> 00:19:34,632 IS CARROLL REALLY THAT POWERFUL? 364 00:19:34,632 --> 00:19:37,217 WELL, YOU KNOW, WHEN I FIRST STARTED TO SUSPECT HIM, 365 00:19:37,217 --> 00:19:38,344 ALL I HAD WAS INSTINCT. 366 00:19:38,344 --> 00:19:40,220 I DIDN'T HAVE ANY EVIDENCE AT ALL. 367 00:19:40,220 --> 00:19:44,142 I WAS HAVING A HARD TIME CONVINCING PEOPLE OF MY POE THEORY. 368 00:19:44,142 --> 00:19:46,602 IN THE BOOK, THAT'S WHEN YOU STARTED FOLLOWING HIM. 369 00:19:46,602 --> 00:19:50,982 YEAH. EVERYWHERE. HOME, WORK, SCHOOL. 370 00:19:50,982 --> 00:19:52,692 I WAS JUST WAITING FOR HIM TO GET SLOPPY. 371 00:19:52,692 --> 00:19:55,028 THAT'S WHEN I FIRST RECOGNIZED SARAH FULLER. 372 00:19:55,028 --> 00:19:56,529 I'D SEEN HER IN HIS CLASS. 373 00:19:56,529 --> 00:19:58,781 I USED TO SIT THERE AND WATCH HIM TEACH. 374 00:19:58,781 --> 00:20:01,951 YOU KNOW, HE WAS AMAZING. 375 00:20:01,951 --> 00:20:06,372 HE COULD INSPIRE PEOPLE. IT'S A GIFT. 376 00:20:06,372 --> 00:20:08,875 HARDY, LET'S GO. 377 00:20:08,875 --> 00:20:10,208 WHERE TO? 378 00:20:10,208 --> 00:20:12,170 IT'S TIME YOU TALKED TO CLAIRE MATTHEWS. 379 00:20:12,170 --> 00:20:13,754 Woman on TV: NO OFFICIAL WORD AT THIS TIME, 380 00:20:13,754 --> 00:20:16,799 BUT SOURCES HAVE CONFIRMED TO US THAT WOMAN IS DEAD TODAY 381 00:20:16,799 --> 00:20:18,384 BY HER OWN HANDS. 382 00:20:18,384 --> 00:20:21,179 NOW THE FBI IS SPECULATING THE MAY HAVE BEEN 383 00:20:21,179 --> 00:20:22,805 ONE OF JOE CARROLL'S GROUPIES... 384 00:20:22,805 --> 00:20:23,973 ENOUGH OF THAT. 385 00:20:23,973 --> 00:20:25,683 AS A DIRECT MESS-- 386 00:20:25,683 --> 00:20:27,935 I SAY WE WATCH A MOVIE. 387 00:20:27,935 --> 00:20:30,104 ACTUALLY, I THINK I'M JUST GONNA LIE DAY FOR A LITTLE BIT 388 00:20:30,104 --> 00:20:31,355 IF IT'S OK WITH YOU GUYS. 389 00:20:31,355 --> 00:20:32,398 YEAH. 390 00:20:32,398 --> 00:20:33,733 THAT'S EVEN A BETTER IDEA. 391 00:20:33,733 --> 00:20:35,275 YOU SHOULD GET SOME REST. 392 00:20:38,654 --> 00:20:40,781 Billy: WE'RE RIGHT NEXT DOOR, OK? 393 00:20:40,781 --> 00:20:42,867 YOU CALL US IF YOU NEED ANYTHING, ALL RIGHT? 394 00:20:42,867 --> 00:20:43,951 WE'LL COME RUNNING. 395 00:20:43,951 --> 00:20:45,369 I LOVE YOU GUYS. 396 00:20:45,369 --> 00:20:46,620 LOVE YOU. ALL RIGHT. GOOD NIGHT. 397 00:20:46,620 --> 00:20:47,872 LET'S GO. 398 00:21:15,733 --> 00:21:16,984 YOU WANT ME TO HAVE MANNERS? 399 00:21:16,984 --> 00:21:17,944 THAT WAS CREEPY. 400 00:21:17,944 --> 00:21:19,862 WHOLE NIGHT'S BEEN CREEPY. 401 00:21:19,862 --> 00:21:21,072 YEAH. 402 00:21:23,116 --> 00:21:24,700 IT'S SO QUIET. 403 00:21:24,700 --> 00:21:27,369 BECAUSE EVERYONE'S IN DAYTONA HAVING FUN, 404 00:21:27,369 --> 00:21:29,163 EVERYONE BUT US. 405 00:21:34,001 --> 00:21:35,878 THE HANGOVER HAS BEGUN. 406 00:21:35,878 --> 00:21:37,421 TOLD YOU NOT TO DRINK. 407 00:21:37,421 --> 00:21:42,135 I'M NOT INTERESTING ENOUGH TO NOT DRINK. THAT'S-- 408 00:21:42,135 --> 00:21:43,427 YOU OK? 409 00:21:48,057 --> 00:21:49,475 ANNIE? 410 00:22:01,403 --> 00:22:03,030 ANNIE? 411 00:22:11,622 --> 00:22:13,082 AAH! 412 00:22:14,667 --> 00:22:17,377 NOOOO! 413 00:22:21,590 --> 00:22:23,009 SORRY. 414 00:22:23,009 --> 00:22:24,718 JUST TO LET YOU KNOW, THERE'S TWO OFFICERS 415 00:22:24,718 --> 00:22:27,888 OUTSIDE THE DOOR IF YOU NEED THEM. 416 00:22:27,888 --> 00:22:29,640 SURE. THANK YOU. 417 00:22:38,691 --> 00:22:40,734 CLAIRE WILL BE RIGHT DOWN. 418 00:22:40,734 --> 00:22:42,736 HEY, JOEY. 419 00:22:42,736 --> 00:22:44,280 DO I KNOW YOU? 420 00:22:44,280 --> 00:22:46,532 YEAH, BUT I HAVEN'T SEEN YOU SINCE YOU WERE THIS BIG. 421 00:22:46,532 --> 00:22:49,327 HA HA HA! 422 00:22:49,327 --> 00:22:50,995 LET'S LET THE MAN DO HIS JOB. 423 00:22:59,337 --> 00:23:01,421 PROFESSOR MATTHEWS. 424 00:23:01,421 --> 00:23:03,924 YES? HI. 425 00:23:03,924 --> 00:23:07,345 I'M AGENT RYAN HARDY, FBI. 426 00:23:07,345 --> 00:23:09,429 CAN I SPEAK WITH YOU? 427 00:23:09,429 --> 00:23:11,015 SURE. 428 00:23:11,015 --> 00:23:12,641 I DIDN'T KNOW ABOUT THE EYES. 429 00:23:12,641 --> 00:23:15,144 IT WAS WITHHELD. 430 00:23:15,144 --> 00:23:17,479 TRY EDGAR ALLEN POE. 431 00:23:17,479 --> 00:23:18,939 UM, "THE TELL-TALE HEART," 432 00:23:18,939 --> 00:23:21,775 "THE BLACK CAT" BOTH HAVE STRONG EYE ALLEGORIES. 433 00:23:21,775 --> 00:23:23,443 THE EYES ARE SYMBOLIC, 434 00:23:23,443 --> 00:23:26,113 THE ESSENCE OF IDENTITY. 435 00:23:26,113 --> 00:23:27,489 YOU SHOULD TALK TO MY HUSBAND. 436 00:23:27,489 --> 00:23:29,616 HE KNOWS A LOT ABOUT THAT TIME PERIOD. 437 00:23:29,616 --> 00:23:30,993 YOU'RE MARRIED. 438 00:23:30,993 --> 00:23:34,872 YEAH. YES, I'M MARRIED, AGENT HARDY. WHY? 439 00:23:34,872 --> 00:23:36,332 ARE WE FLIRTING? 440 00:23:39,793 --> 00:23:42,046 WITH THIS MATERIAL, NO, NOT A CHANCE. 441 00:23:49,511 --> 00:23:51,347 HELLO, RYAN. 442 00:23:51,347 --> 00:23:52,472 CLAIRE. 443 00:23:52,472 --> 00:23:53,891 I'M AGENT MASON, MISS MATTHEWS. 444 00:23:53,891 --> 00:23:55,684 I UNDERSTAND YOU WANTED TO SPEAK TO MR. HARDY. 445 00:23:55,684 --> 00:23:58,229 YES, BUT I NEED TO SPEAK WITH HIM ALONE, PLEASE. 446 00:23:58,229 --> 00:24:00,231 I'M AFRAID THAT'S NOT POSSIBLE. 447 00:24:00,231 --> 00:24:02,482 I'M AFRAID I HAVE TO INSIST. 448 00:24:07,321 --> 00:24:09,156 WOULD YOU EXCUSE US FOR A MINUTE? 449 00:24:13,119 --> 00:24:15,288 HOW'S YOUR HEART? 450 00:24:15,288 --> 00:24:17,497 SAME. 451 00:24:17,497 --> 00:24:19,708 BUT YOU'RE DRINKING TOO MUCH. 452 00:24:22,920 --> 00:24:24,713 HAVE YOU HEARD FROM HIM? 453 00:24:24,713 --> 00:24:27,007 YEAH. A WEEK AGO, THIS CAME FOR ME. 454 00:24:27,007 --> 00:24:28,759 I THOUGHT YOU SHOULD SEE IT. 455 00:24:33,973 --> 00:24:36,558 HOW DOES HE KNOW? 456 00:24:36,558 --> 00:24:38,727 HE DOESN'T. HE'S GUESSING. 457 00:24:38,727 --> 00:24:39,979 NO ONE NEEDS TO KNOW ABOUT THIS. 458 00:24:39,979 --> 00:24:41,688 IT'S NOT GONNA HELP US FIND HIM. 459 00:24:43,357 --> 00:24:46,193 WE HAVE TWO KILLERS OUT THERE NOW. 460 00:24:46,193 --> 00:24:47,569 HE'S GOT HELP. 461 00:24:53,700 --> 00:24:55,411 ARE YOU A COP? 462 00:24:59,248 --> 00:25:01,041 JOE'S ALWAYS TEACHING. 463 00:25:01,041 --> 00:25:02,709 IT WAS INGRAINED IN HIM, SO THAT MAKES SENSE. 464 00:25:02,709 --> 00:25:04,211 IT MAKES SENSE HE WOULD FIND A STUDENT. 465 00:25:04,211 --> 00:25:06,046 WHERE DO YOU THINK THEY WOULD GO? 466 00:25:06,046 --> 00:25:07,298 WOULD HE LEAVE THE COUNTRY? 467 00:25:07,298 --> 00:25:09,467 NO. JOE'S NOT LOOKING FOR HIS FREEDOM. 468 00:25:09,467 --> 00:25:10,508 HE WANTS TO KEEP KILLING. 469 00:25:10,508 --> 00:25:13,471 YEAH. HE'S GOOD AT IT. 470 00:25:13,471 --> 00:25:15,513 I NEED TO FIND HIM, CLAIRE, 471 00:25:15,513 --> 00:25:18,058 AND I DON'T THINK I KNOW HOW. 472 00:25:26,025 --> 00:25:30,196 I'M SORRY I DIDN'T CALL YOU. 473 00:25:30,196 --> 00:25:31,447 IT'S BEEN 8 YEARS, RYAN. 474 00:25:31,447 --> 00:25:34,241 I GOT THE HINT. 475 00:25:34,241 --> 00:25:35,742 I MEAN, I KNOW-- I KNOW THAT 476 00:25:35,742 --> 00:25:37,244 WHEN THE FBI FOUND OUT ABOUT US 477 00:25:37,244 --> 00:25:38,662 THAT WAS DIFFICULT FOR YOU. 478 00:25:38,662 --> 00:25:43,417 NO. THAT'S NOT WHY I DIDN'T CALL. 479 00:25:43,417 --> 00:25:45,378 YOU DESERVE MORE. 480 00:25:45,378 --> 00:25:47,671 I BELONG IN YOUR PAST. 481 00:25:47,671 --> 00:25:50,548 I WORK BETTER IN PEOPLE'S PASTS, I ALWAYS HAVE. 482 00:25:59,725 --> 00:26:03,521 UH, THE GIRL SAFE? THE LAST VICTIM, SHE'S-- 483 00:26:03,521 --> 00:26:08,275 SARAH FULLER. UH, YEAH, SHE'S UNDER PROTECTION. 484 00:26:08,275 --> 00:26:10,152 SHE'S GOOD. SHE'S A DOCTOR NOW. 485 00:26:10,152 --> 00:26:13,780 I'M GLAD SOMEONE WAS ABLE TO GET BEYOND THIS. 486 00:26:13,780 --> 00:26:16,367 I'M SURE THAT UPSETS JOE. 487 00:26:16,367 --> 00:26:17,535 WHY'S THAT? 488 00:26:17,535 --> 00:26:18,827 HE FANCIES HIMSELF EDGAR ALLEN POE. 489 00:26:18,827 --> 00:26:21,080 THAT WAS THE IMPETUS FOR WRITING HIS NOVEL. 490 00:26:21,080 --> 00:26:22,706 POE DIED WITH AN UNFINISHED MANUSCRIPT, 491 00:26:22,706 --> 00:26:24,417 "THE LIGHTHOUSE," 492 00:26:24,417 --> 00:26:26,126 AND JOE'S NOVEL "THE GOTHIC SEA" 493 00:26:26,126 --> 00:26:28,962 WAS SORT OF HIS WAY OF FINISHING WHAT POE STARTED. 494 00:26:31,465 --> 00:26:32,716 Mason: WHAT WAS THAT ABOUT IN THERE? 495 00:26:32,716 --> 00:26:33,800 IT WAS PERSONAL. 496 00:26:33,800 --> 00:26:35,010 WHAT DO YOU MEAN PERSONAL? 497 00:26:35,010 --> 00:26:36,178 WE HAVE TO GET TO SARAH FULLER. 498 00:26:36,178 --> 00:26:37,263 WHAT DID SHE TELL YOU? 499 00:26:37,263 --> 00:26:38,389 CARROLL IS GONNA MAKE A MOVE. 500 00:26:38,389 --> 00:26:39,765 HE WANTS TO FINISH WHAT HE STARTED. 501 00:26:39,765 --> 00:26:41,225 THAT WOULD BE SARAH. 502 00:26:51,651 --> 00:26:52,986 IT'S RIGHT THIS WAY. 503 00:26:55,322 --> 00:26:56,990 I'M DETECTIVE WARREN. 504 00:26:56,990 --> 00:26:58,658 MISS FULLER WENT TO BED ABOUT AN HOUR AGO. 505 00:26:58,658 --> 00:27:02,829 OFFICER PONTZ WORKS THE FRONT DOOR. 506 00:27:02,829 --> 00:27:04,831 ANOTHER OFFICER HERE. 507 00:27:04,831 --> 00:27:06,500 TWO MEN UPSTAIRS. 508 00:27:06,500 --> 00:27:07,876 OFFICERS! 509 00:27:07,876 --> 00:27:09,044 Mason: WHERE ARE THEY? 510 00:27:09,044 --> 00:27:11,255 OFFICER WATTS. 511 00:27:11,255 --> 00:27:13,090 KELLY, WHERE ARE YOU GUYS? 512 00:27:13,090 --> 00:27:14,841 THEY SHOULD BE HERE. 513 00:27:16,718 --> 00:27:18,011 SARAH? 514 00:27:19,805 --> 00:27:21,474 SHE'S GONE. WHERE IS SHE? 515 00:27:21,474 --> 00:27:22,724 WHERE THE HELL IS SHE? I DON'T KNOW! 516 00:27:22,724 --> 00:27:24,310 HOW DID SHE GET OUT OF HERE? 517 00:27:24,310 --> 00:27:25,936 Mason: WE GOT AN OFFICER DOWN. WE GOT AN OFFICER DOWN. 518 00:27:45,038 --> 00:27:46,457 [WHISPERING] Go around. 519 00:27:46,457 --> 00:27:48,208 MAN: Come on. Neighbors next door. Let's go. 520 00:27:52,588 --> 00:27:54,047 Give me a light. 521 00:29:31,353 --> 00:29:34,814 GET THE LIGHTS. GET THE LIGHTS! 522 00:29:40,404 --> 00:29:41,863 HARDY. 523 00:29:59,381 --> 00:30:00,591 Turner: SO THE NEIGHBORS WILL WILSON AND BILLY THOMAS 524 00:30:00,591 --> 00:30:02,635 LEFT IN THEIR SUV 40 MINUTES AGO. 525 00:30:02,635 --> 00:30:04,344 NO ONE THOUGHT TO SEARCH THE VEHICLE? 526 00:30:04,344 --> 00:30:05,387 THERE WAS NO REASON TO CHECK. 527 00:30:05,387 --> 00:30:07,013 SHE WASN'T MISSING. 528 00:30:07,013 --> 00:30:08,807 Watson: WILL WILSON TEACHES PUBLIC SCHOOL, SECOND GRADE. 529 00:30:08,807 --> 00:30:10,517 BILLY THOMAS AS IS A COMPUTER TECH. 530 00:30:10,517 --> 00:30:12,645 HE RUNS THE FRAUD DIVISION OF A REGIONAL BANK. 531 00:30:12,645 --> 00:30:14,480 AND I BET THEY WEREN'T GAY EITHER. 532 00:30:14,480 --> 00:30:16,774 CARROLL PLACED THEM HERE TO WATCH OVER HER 533 00:30:16,774 --> 00:30:18,400 UNTIL HE WAS READY. 534 00:30:18,400 --> 00:30:20,152 Riley: COME ON. THEY'VE BEEN HER NEIGHBORS FOR 3 YEARS. 535 00:30:20,152 --> 00:30:21,695 SHE'D NEVER SUSPECT THEM, 536 00:30:21,695 --> 00:30:24,948 AND NOW THEY'RE TAKING HER STRAIGHT TO CARROLL. 537 00:30:24,948 --> 00:30:28,160 HE'S FINDING PEOPLE TO HELP HIM DO IT ON THE DAMN INTERNET. 538 00:30:28,160 --> 00:30:30,370 IT--IT'S LIKE THEY'RE HIS FOLLOWERS. 539 00:30:30,370 --> 00:30:32,665 Turner: I'M NOT BUYING TWO MEN WOULD PRETEND TO BE GAY 540 00:30:32,665 --> 00:30:34,040 AND SHACK UP NEXT TO A WOMAN 541 00:30:34,040 --> 00:30:35,501 BECAUSE SOME NUT JOB TOLD THEM TO. 542 00:30:35,501 --> 00:30:37,670 PRISON GUARD WORSHIPS HIM, 543 00:30:37,670 --> 00:30:40,756 ICE PICK LADY IS BRAINWASHED TO KILL HERSELF. 544 00:30:40,756 --> 00:30:44,593 THESE TWO GUYS HAVE DEDICATED YEARS OF THEIR LIVES TO HIM. 545 00:30:44,593 --> 00:30:47,053 THERE'S SOME KIND OF FANATICAL OBSESSION AT PLAY HERE. 546 00:30:47,053 --> 00:30:49,389 IT'S LIKE IT'S A CULT. IT'S-- 547 00:30:52,225 --> 00:30:54,770 "NEVERMORE." "THE RAVEN." 548 00:30:54,770 --> 00:30:58,565 POE IS SYMBOLIZING THE FINALITY OF DEATH. 549 00:30:58,565 --> 00:31:00,818 HAVE YOU PULLED THE GPS? WHERE ARE THE SATELLITES? 550 00:31:00,818 --> 00:31:02,361 I KNEW YOU'D SHOW UP EVENTUALLY. 551 00:31:02,361 --> 00:31:03,861 THIS IS THE HARDY I REMEMBER. 552 00:31:03,861 --> 00:31:05,280 DO SOMETHING! HOW MANY CHECKPOINTS HAVE YOU SET UP? 553 00:31:05,280 --> 00:31:06,406 GET HIM OUT OF HERE! DON'T JUST STAND THERE! 554 00:31:06,406 --> 00:31:07,449 MOVE! 555 00:31:07,449 --> 00:31:09,951 HARDY! 556 00:31:34,934 --> 00:31:36,478 BACK OFF, DUDE. 557 00:31:36,478 --> 00:31:37,479 SORRY, SORRY. 558 00:31:37,479 --> 00:31:39,356 COME ON, SARAH. 559 00:31:39,356 --> 00:31:41,899 GOD. YOU DON'T HAVE TO BE RUDE. 560 00:31:41,899 --> 00:31:44,069 SORRY, SIR. COME ON. 561 00:31:44,069 --> 00:31:45,779 GOD. 562 00:31:45,779 --> 00:31:47,113 THERE'S A KILLER ON THE LOOSE, 563 00:31:47,113 --> 00:31:48,866 AND YOU WANT ME TO HAVE MANNERS? 564 00:31:48,866 --> 00:31:50,033 THAT WAS CREEPY. 565 00:31:50,033 --> 00:31:51,909 Sarah: THE WHOLE NIGHT'S BEEN CREEPY. 566 00:31:51,909 --> 00:31:53,911 YEAH. 567 00:32:20,898 --> 00:32:22,482 BEHIND YOU. 568 00:32:22,482 --> 00:32:23,942 UGH! 569 00:32:30,824 --> 00:32:32,492 UNH! 570 00:33:10,823 --> 00:33:12,449 HEY. WHAT DO YOU GOT? 571 00:33:12,449 --> 00:33:14,952 WELL, BOTH MEN WERE LISTED IN THE PRISON'S VISITOR LOG. 572 00:33:14,952 --> 00:33:16,578 YOU GOT A FILE ON THESE GUYS. 573 00:33:16,578 --> 00:33:19,581 NOTHING EXCEPT SOME PROPERTY RECORDS IN LAKE WHITEHURST. 574 00:35:23,789 --> 00:35:25,707 I CAME ALONE, JOE! 575 00:35:25,707 --> 00:35:27,751 ISN'T THAT WHAT YOU WANTED? 576 00:35:31,504 --> 00:35:34,173 Sarah: NO! NOOOO! 577 00:35:34,173 --> 00:35:39,304 NOOOO! NO! NOOOO! 578 00:35:39,304 --> 00:35:41,848 NAAAAH! 579 00:35:46,394 --> 00:35:52,442 NO! NOOOO! NOOOO! NO! 580 00:36:16,925 --> 00:36:18,384 UNH! 581 00:36:21,304 --> 00:36:22,722 HELLO, RYAN. 582 00:36:30,271 --> 00:36:33,274 I WAS CURIOUS TO SEE HOW YOUR HEART WAS HOLDING UP. 583 00:36:34,651 --> 00:36:36,778 UNH! 584 00:36:36,778 --> 00:36:38,530 I SEE IT HAS ITS LIMITS. 585 00:36:45,912 --> 00:36:47,372 WHERE IS SHE? 586 00:36:47,372 --> 00:36:50,542 YOU KNOW, THE HUMAN EYE IS CONNECTED 587 00:36:50,542 --> 00:36:52,460 BY 7 MUSCLES. 588 00:36:54,754 --> 00:36:59,051 I REMOVED EACH ONE INDIVIDUALLY. 589 00:37:01,511 --> 00:37:03,555 YOU KNOW HOW HARD THAT IS TO DO? 590 00:37:03,555 --> 00:37:05,015 Sarah: NO! NOOOO! 591 00:37:05,015 --> 00:37:06,432 SARAH? 592 00:37:06,432 --> 00:37:07,433 NOOO-- 593 00:37:09,978 --> 00:37:13,106 NO! NOOOO! 594 00:37:13,106 --> 00:37:16,526 YOU KNOW HOW I LOVE MY LITTLE SOUVENIRS. 595 00:37:16,526 --> 00:37:17,569 NOOOO! 596 00:37:23,658 --> 00:37:27,245 AAH! OHH! 597 00:37:29,831 --> 00:37:31,249 NO! 598 00:37:31,249 --> 00:37:34,878 SHE LASTED MUCH LONGER THAN I THOUGHT SHE WOULD. 599 00:37:34,878 --> 00:37:36,421 SHE'S QUITE THE FIGHTER. 600 00:37:39,883 --> 00:37:41,634 I'D LIKE TO TURN MYSELF IN. 601 00:37:42,719 --> 00:37:45,931 I SURRENDER. 602 00:37:45,931 --> 00:37:48,474 I SURRENDER! 603 00:37:48,474 --> 00:37:49,726 STOP! 604 00:37:49,726 --> 00:37:51,477 HARDY! 605 00:37:51,477 --> 00:37:53,688 I SURRENDER. 606 00:37:53,688 --> 00:37:55,190 COME ON. GET OFF. OFF HIM, OFF HIM. GET OFF HIM. 607 00:37:55,190 --> 00:37:56,649 I SURRENDER. 608 00:37:58,985 --> 00:38:00,486 Ryan: NO! 609 00:38:00,486 --> 00:38:01,905 I SURRENDER. 610 00:38:19,589 --> 00:38:22,467 Mason: CARROLL'S EN ROUTE TO RICHMOND. 611 00:38:22,467 --> 00:38:24,010 HE'LL BE PLACED IN FEDERAL DETENTION 612 00:38:24,010 --> 00:38:25,804 UNTIL THIS IS ALL OVER. 613 00:38:28,014 --> 00:38:31,059 18 MONTHS I WORKED THE CASE, 614 00:38:31,059 --> 00:38:32,769 COULDN'T CRACK IT. 615 00:38:37,857 --> 00:38:40,235 I MADE SO MANY MISTAKES. 616 00:38:43,446 --> 00:38:44,697 BUT SARAH... 617 00:38:47,533 --> 00:38:49,035 I SAVED HER. 618 00:38:51,997 --> 00:38:54,124 HOW'D YOU KNOW HE'D BE HERE? 619 00:38:54,124 --> 00:38:56,417 CARROLL'S BOOK WAS INSPIRED BY POE'S 620 00:38:56,417 --> 00:38:59,545 LAST UNFINISHED WORK "THE LIGHTHOUSE." 621 00:38:59,545 --> 00:39:03,842 SARAH WAS HIS UNFINISHED WORK. 622 00:39:03,842 --> 00:39:05,010 YEAH. 623 00:39:06,845 --> 00:39:08,930 HE WANTED TO GET THE ENDING RIGHT. 624 00:39:20,900 --> 00:39:23,402 JOE CARROLL HAD 47 DEDICATED WEB SITES, 625 00:39:23,402 --> 00:39:26,447 OVER A THOUSAND BLOGS, CHAT ROOMS, ONLINE FORUMS. 626 00:39:26,447 --> 00:39:27,615 COULD HAVE MULTIPLE RESOURCES. 627 00:39:27,615 --> 00:39:30,451 Mason: HARDY. 628 00:39:30,451 --> 00:39:32,370 HE'LL ONLY TALK TO YOU. 629 00:39:58,146 --> 00:40:01,774 SARAH HAD TO DIE, RYAN. 630 00:40:01,774 --> 00:40:05,444 I KNOW IT'S SAD. IT'S TRAGIC. 631 00:40:05,444 --> 00:40:07,072 POOR THING. 632 00:40:07,072 --> 00:40:11,368 SHE WORKED VERY HARD TO GET HER LIFE BACK TOGETHER, 633 00:40:11,368 --> 00:40:12,744 AND SHE'D DONE QUITE NICELY, 634 00:40:12,744 --> 00:40:16,497 WHICH IS MORE THAN I CAN SAY FOR SOME. 635 00:40:16,497 --> 00:40:20,668 OH, YOU'VE BEEN QUITE THE DISAPPOINTMENT, RYAN. 636 00:40:20,668 --> 00:40:25,006 NOW I NEVER EXPECTED YOU CAPABLE OF "IN COLD BLOOD," 637 00:40:25,006 --> 00:40:28,134 BUT WHAT WAS IT WITH THE TRUE CRIME DRIVEL? 638 00:40:28,134 --> 00:40:30,469 SO WHAT'S MY SEQUEL ABOUT JOE? 639 00:40:30,469 --> 00:40:33,514 EVERYONE OUTSIDE IS ANXIOUS TO KNOW. 640 00:40:33,514 --> 00:40:36,433 HMM. WELL... 641 00:40:36,433 --> 00:40:40,272 IT'S GOING TO BE A COLLABORATION. 642 00:40:40,272 --> 00:40:43,066 WE'RE GONNA WRITE THIS TOGETHER, RYAN. 643 00:40:43,066 --> 00:40:47,779 MY FIRST BOOK WAS CLEARLY TOO AVANT GARDE, 644 00:40:47,779 --> 00:40:51,532 LOST IN LITERATI PRETENSE. 645 00:40:51,532 --> 00:40:54,119 NOW MY NEW STORY... 646 00:40:54,119 --> 00:40:57,622 WILL PLAY TO A MUCH WIDER AUDIENCE. 647 00:40:57,622 --> 00:41:02,794 HELL, EVEN POE WHORED HIMSELF OUT EVENTUALLY. 648 00:41:04,503 --> 00:41:07,382 SO THE PRISON GUARD, 649 00:41:07,382 --> 00:41:09,175 THE GAY NEIGHBORS, 650 00:41:09,175 --> 00:41:12,095 HOW DO THEY FIGURE INTO YOUR NEW PLOT? 651 00:41:14,555 --> 00:41:15,848 WE KNOW ABOUT THE CULT. 652 00:41:15,848 --> 00:41:18,517 I'M NOT A BIG FAN OF THAT WORD. 653 00:41:18,517 --> 00:41:21,604 I LIKE TO THINK OF THEM AS MY FRIENDS. 654 00:41:21,604 --> 00:41:26,192 IT'S IMPORTANT TO HAVE FRIENDS, RYAN. 655 00:41:26,192 --> 00:41:29,070 DID YOU KNOW THAT THE FBI ESTIMATES 656 00:41:29,070 --> 00:41:31,197 THAT UP TO 300 SERIAL KILLERS 657 00:41:31,197 --> 00:41:34,784 ARE ACTIVE IN THE U.S. ON ANY GIVEN DAY? 658 00:41:38,830 --> 00:41:39,998 OH! 659 00:41:39,998 --> 00:41:41,749 SORRY. DIDN'T MEAN TO SCARE YOU. 660 00:41:41,749 --> 00:41:43,293 IS EVERYTHING OK? 661 00:41:43,293 --> 00:41:44,836 EXTRA PATROL THIS EVENING. 662 00:41:44,836 --> 00:41:46,045 I THOUGHT THEY CAUGHT HIM. 663 00:41:46,045 --> 00:41:47,172 I SAW IT ON THE NEWS. 664 00:41:47,172 --> 00:41:48,298 STILL, MIND IF I LOOK AROUND, 665 00:41:48,298 --> 00:41:50,425 CHECK YOUR DOORS AND WINDOWS? 666 00:41:50,425 --> 00:41:54,346 DO YOU HAVE ANY FRIENDS, RYAN? 667 00:41:56,431 --> 00:41:57,849 COME ON IN. 668 00:41:57,849 --> 00:41:59,725 I THINK EVERYONE'S ASLEEP. 669 00:42:01,269 --> 00:42:04,605 [MARILYN MANSON'S "SWEET DREAMS (ARE MADE OF THIS)" PLAYING] 670 00:42:04,605 --> 00:42:09,735 I WILL BE YOUR FRIEND 671 00:42:09,735 --> 00:42:13,156 EVEN THOUGH YOU SLEPT WITH MY WIFE. 672 00:42:13,156 --> 00:42:14,615 Man on TV: THERE IS BREAKING NEWS TONIGHT 673 00:42:14,615 --> 00:42:16,242 FROM WAVERLY, VIRGINIA, 674 00:42:16,242 --> 00:42:19,745 WHERE SERIAL KILLER JOE CARROLL HAS FINALLY BEEN CAUGHT. 675 00:42:19,745 --> 00:42:24,125 THE ESCAPED CONVICT WAS FOUND AT AN ABANDONED-- 676 00:42:24,125 --> 00:42:28,296 DID SHE SHOW YOU THE LETTER? 677 00:42:28,296 --> 00:42:30,256 Riley: WHAT'S HE TALKING ABOUT? WHAT LETTER? 678 00:42:30,256 --> 00:42:33,092 CLAIRE IS VERY IMPORTANT, RYAN. 679 00:42:33,092 --> 00:42:35,928 EVERY GOOD STORY NEEDS A LOVE INTEREST. 680 00:42:35,928 --> 00:42:37,013 I'M GOING TO BED. 681 00:42:37,013 --> 00:42:40,975 GOOD NIGHT. GOOD NIGHT. 682 00:42:40,975 --> 00:42:44,979 SHE'S THE ONLY WOMAN I'VE EVER TRULY LOVED. 683 00:42:44,979 --> 00:42:46,564 SHE'S THE MOTHER OF MY SON. 684 00:42:46,564 --> 00:42:48,525 JOEY? 685 00:42:50,860 --> 00:42:52,237 AND I'D LIKE TO SEE HER. 686 00:42:52,237 --> 00:42:54,739 NO. SHE'D NEVER AGREE TO THAT. 687 00:42:54,739 --> 00:42:57,783 SHE MIGHT JUST CHANGE HER MIND ABOUT THAT. 688 00:42:57,783 --> 00:42:59,035 Claire: JOEY? 689 00:42:59,035 --> 00:43:00,828 JOEY?! 690 00:43:00,828 --> 00:43:02,414 WHERE IS HE? JOEY? 691 00:43:02,414 --> 00:43:04,416 Carroll: I THOUGHT I MIGHT GO MORE TRADITIONAL THIS TIME, 692 00:43:04,416 --> 00:43:06,459 YOU KNOW, VILLAIN, GOOD VERSUS EVIL. 693 00:43:06,459 --> 00:43:08,127 I NEED A STRONG PROTAGONIST 694 00:43:08,127 --> 00:43:11,630 SO THAT THE READER CAN TRULY INVEST, 695 00:43:11,630 --> 00:43:16,802 A FLAWED, BROKEN MAN SEARCHING FOR REDEMPTION, 696 00:43:16,802 --> 00:43:19,514 AND THAT IS YOU. 697 00:43:19,514 --> 00:43:22,975 YOU ARE MY FLAWED HERO. 698 00:43:22,975 --> 00:43:26,438 YES, I ENSURED THAT BY KILLING SARAH. 699 00:43:28,064 --> 00:43:29,732 SHE WAS THE INCITING INCIDENT, 700 00:43:29,732 --> 00:43:31,984 THE HERO'S CALL TO ACTION. 701 00:43:31,984 --> 00:43:33,152 THIS IS MERELY THE PROLOGUE, 702 00:43:33,152 --> 00:43:34,820 THIS IS JUST THE BEGINNING. 703 00:43:34,820 --> 00:43:41,035 THAT WAS THE ENTIRE POINT OF SARAH'S DEATH. 704 00:43:41,035 --> 00:43:42,912 IT WAS FOR YOU. 705 00:43:42,912 --> 00:43:45,957 ♪ EVERYBODY'S LOOKING FOR SOMETHING ♪ 706 00:43:45,957 --> 00:43:48,209 ♪ SOME OF THEM WANT... ♪ 707 00:43:48,209 --> 00:43:51,588 IF THIS BOOK ENDS WITH ANYTHING OTHER THAN YOUR DEATH, 708 00:43:51,588 --> 00:43:55,508 YOU BETTER PLAN ON A REWRITE. 709 00:43:55,508 --> 00:43:58,303 AAH! OH! GUARDS! GUARDS! 710 00:43:58,303 --> 00:44:00,138 JOEY, HONEY, WHERE ARE YOU? 711 00:44:00,138 --> 00:44:01,431 WHERE'S DENISE? 712 00:44:01,431 --> 00:44:04,601 DENISE? WHERE IS-- WHERE IS DENISE? 713 00:44:04,601 --> 00:44:07,019 Carroll: GUARDS! OHH! UNH! 714 00:44:07,019 --> 00:44:08,271 THAT'S ENOUGH! 715 00:44:08,271 --> 00:44:11,065 WHERE'S MY SON? JOEY! 716 00:44:11,065 --> 00:44:13,318 JOEY, WHERE ARE YOU? 717 00:44:13,318 --> 00:44:15,694 CALL CLAIRE. 718 00:44:15,694 --> 00:44:17,196 IT'S JUST THE BEGINNING. 719 00:44:20,283 --> 00:44:23,702 IT WILL BE A CLASSIC. 720 00:44:23,702 --> 00:44:26,247 IT WILL BE OUR MASTERPIECE. 721 00:44:26,247 --> 00:44:28,500 CALL CLAIRE. 722 00:44:28,500 --> 00:44:30,335 CALL CLAIRE!